Next winter, Yves Salomon explores a space where pop colour meets Seventies allure, in a vibrant dialogue between graphic rigour and sensual textures.

The visual vibrations of Bridget Riley permeate the collection: kinetic mink tweed and the chromatic explorations of Anni and Josef Albers electrify the silhouettes, setting colour in dialogue with textile savoir-faire. Surfaces shimmer; contrasts sharpen.

This artistic energy meets the magnetic elegance of Angelica Huston in the Seventies: elongated flannel tailoring, sensual scarf-style tops, fox accessories as a precious house signature. A confident, free, subtly androgynous femininity.

The nautical wardrobe is given a structured twist: sailor-collar and English rib knits, peacoats with assertive volume. Layering becomes an architectural exercise - cape-jackets and fringed bib-fronts, collar-gilets slipped beneath a coat, mink trucker bibs layered over a sweater - creating modular, enveloping silhouettes.

 
Materials and volumes assert a reassuring presence: chunky-gauge cashmere knits, shearling with draped collars, kimono-style puffers, oversized protective collars. Craftsmanship reveals itself in knotted leather fringes, feathers and mink fringing, natural fox fur trimmings, jewelled leather. Mink is elongated, tweeded, transformed.

A collection shaped by the dialogue between hand and eye, where colour becomes structure and material sculpts movement.